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Paquito D`Rivera
At the age of 10, the Paquito D'Rivera was seen performing
the Weber Clarinet Concerto No. 2 at Havana's Teatro Nacional, under the historic
baton of the maestro Gonzalo Roig. A couple of years later, he entered Havana's
Cartula Conservatory, where he studied clarinet, composition and harmony.
By the time he turned 15, Paquito was already playing alongside the top jazz
musicians in the Cuban capital. He also participated in the first recordings
of a seminal combo led by Jess "Chucho" Valdes, a young pianist
who would become the greatest influence in Paquito's career.
In 1973 he joined forces with Chucho Valdes and other musicians to form Irakere,
one of the most important Latin jazz groups of the 20th Century. Irakere's
innovations radically changed the stylistic course of both Latin jazz and
Antillean dance music. Since the clarinet did not fit most of Irakere's repertoire,
Paquito was forced to put down said single-reed woodwind instrument for a
number of years.
Nevertheless, Paquito had grown increasingly unhappy with the Castroite regime's
cultural intolerance and political repression. In May of 1980, during a European
tour with Irakere, Paquito obtained political asylum at the U.S. Embassy in
Madrid. A few months later he landed in New York City.
The rest is history. Paquito revolutionized the U.S. Latin jazz scene of the
1980s, and his generous nature as a bandleader helped to launch the solo careers
of many talented cohorts. Paquito became the only U.S.-based musician who
was Òplaying real Latin jazz, according to the late Mario Bauz, a founding
father of such multicultural genre. Bauz was precisely the one who made an
encouraging offer twenty years ago, upon discovering that his newly arrived
compatriot had left his clarinet in Havana: "I'm going to lend you my
clarinet, Paquito.. .There is no clarinet player like you around here."
It did not take very long for the clarinet to find a place next to the saxophone,
as an instrumental associate with equal rights and responsibilities, in the
artistic existence of Paquito.
At the dawn of a new millennium, Paquito is finally able to materialize one
of his most compelling dreams: To record an entire clarinet album designed
to highlight certain dimensions of his musicianship that deserve much greater
recognition. Even those who have already been made aware of his peculiar clarinet
sound in the spheres of Cuban and Brazilian music will be surprised to discover
his mastery of the deep and rich timbre commonly associated with classical
clarinetists. Only a bonafide, hardcore musician like Paquito could successfully
lead three distinctively different but evidently compatible instrumental formats
(symphonic orchestra, jazz quintet, and Latin American classical trio) throughout
the repertoire on this CD.

DVD Audio „The Clarinetist“ will be released in 2003
further artist informations at www.paquitodrivera.com
Demos from the CD "The Clarinetist - Volume one"
concert schedule you will find at www.paquitodrivera.com
Als einzigartig erfindungsreicher Bläser ist der
Kubaner Paquito DRivera einer der wichtigsten Repräsentanten
des Latin Jazz. ... Durchweg und speziell in Astor Piazollas Aconcagua
prägt der Meister mit seinem
unverkennbar weichen, subtilen Ton die Athmosphäre.
(Stereoplay)
Ergebnis ist eine ungewöhnliche, aber überzeugend
homogene Mixtur aus lateinamerikanischer Musik, Jazz und
klassischen Texturen, stets voll vibrierender rhythmischer Energie, gleichzeitig
aber mit höchster, bis an
die grenzen des Pathos reichender Klangästhetik gespielt.
(Jazzthing)
Die Jazzabteilung führt uns den unglaublich virtuosen
Jazzmusiker DRivera vor, die Orchesterabteilng
den mit allen Wassern gewaschenen konzertanten (um nicht zu sagen symphonischen)
Klarinettisten.
(Jazzpodium)
Mit Sinfonieorchester, im Jazzquintett und im klassischen
Trio bindet er Klassik, Jazz und lateinamerikanisches
zu einem interessanten Strauß. Stimmungsvoll und dank des EAO zuweilen
schön schmalzig.
(Crescendo)
... ein paar Pressestimmen
2001
The Clarinetist - Volume one
(2001, Peregrina Music PM50221)
100 Years of Latin Love Songs (1999, In Akustik Inak30452)
Havanna Cafe (1992, Chesky Records Chesky JD60)

Paquito D`Rivera
Paquito D`Rivera
Paquito D`Rivera
Paquito D`Rivera
Paquito D`Rivera
| SERENADE | RealPlayer MP3 |
ISDN ISDN |
28.8 28.8 |
| ACONCAGUA | RealPlayer MP3 |
ISDN ISDN |
28.8 28.8 |
| HABANA | RealPlayer MP3 |
ISDN ISDN |
28.8 28.8 |
PEREGRINA ALBUM ERHÄLT GRAMMY NOMINIERUNG
Die National Academy of Recording Arts & Sciences hat im Januar die Listen der nominierten Produktionen für den 44th Annual GRAMMY Award herausgegeben. Das im März 2001 bei PEREGRINA MUSIC veröffentlichte Album des kubanischen Ausnahmemusikers Paquito D'Rivera "THE CLARINETIST VOLUME ONE" wurde in der Kategorie "Best Classical Crossover Album" für einen Grammy nominiert. Die CD wurde im Sommer 2000 mit internationaler Starbesetzung (Nils Henning Örsted-Pedersen, Wolfgang Haffner, Pernell Saturino, Pablo Zinger, Gustavo Tavares etc.) und dem European Art Orchester unter der Leitung von Bernd Ruf von Produzent Johannes Wohlleben in den Ludwigsburger Bauer Studios aufgenommen. Die Awards werden Ende Februar vergeben.